Be sure to check out Martin Gunnels' thoughtful review of The Myth of Natural Rights and Other Essays in the second issue of Richard Widmann's excellent online journal, Inconvenient History (which also has a companion blog). As expected from the source, the review is heavily focused on Rollins' maximally skeptical essays concerning Holocaust revisionism, but Gunnel also provides a fair summary of the titular monograph.
An excerpt:
As much as it tickles me to see Rollins compared to Roland Barthes, I feel obligated to point out that the first quoted line is from the introduction to the new Nine-Banded Books edition, rather than the "original publisher's" intro as stated. Beyond this nit, I think Gunnel's summary of The Myth's central argument is exceptionally fair.
The rest of the review centers around Gunnel's reasonable attempt to delineate the connection between Rollins' radically skeptical account of libertarian deontology and his pox-on-both-houses critique of received Holocaust history and Holocaust revisionism. Rollins' writings on this uniquely controversial subject have been severely mischaracterized by other reviewers, so it's refreshing to find at least one guy who gets it right. Though it was never all that complicated; Rollins' epistemological stance is built on a wholesale rejection of any whiff of the sacred. The Holocaust minefield merely provides a secular template against which to test the premise. He "goes there" because he can.
I particularly like the bit where Gunnel amplifies Rollins' takedown of a ubiquitous tautology:
Like things that profess to be “natural,” the Holocaust wraps itself in an indignant unquestionability.. This is what makes it so interesting to Rollins. He writes that “American academics have reacted to Holocaust revisionism with the same degree of open-mindedness as was displayed by the astronomers who refused to look through Galileo’s telescope but nevertheless ‘knew’ that he could not possibly have discovered any new heavenly bodies with it.” Theirs is a tyrannical rationality, because they refuse to accept any conclusions other than those they concoct themselves. If a researcher’s findings fall outside their paradigm, they can simply write him off as a lunatic or a criminal or whatever. Because, as Rollins points out, the premise that “all reputable historians accept the six million figure smacks of a tautology. If [a professional Holocauster] defines ‘reputable historians’ to mean ‘historians who have accepted the six million figure,’ then what he says is, by definition, true, but also trivial because there is no reason why anyone else should accept such an obviously loaded definition.”
This is a pretty insightful remark, and it’s worth parsing out: if no reputable historian can make an unorthodox claim about the Holocaust and keep his reputation intact, the assertion that “no reputable historian rejects the Holocaust” is worthless. Of course, professional historians debate just about everything: they debate the Russian Revolution, the American Civil War, the Norman Conquest, and so on; yet, at the end of the day, these debating professors are allowed to keep their differing opinions and their badges of reputability. But the moment a historian ends up on the wrong side of the Holocaust, he finds his reputation tossed in the grinder. No matter how highly regarded he was before that moment, he is permanently banished from the club of reputability. Then, like magic, the Holocausters are right again: “All reputable historians accept the six million figure.” That their little club isn’t shrinking says less about the strength of revisionist arguments than it does about the courage of “reputable” historians.
Rollins' harshly skeptical -- if dated -- indictment of a number of revisionist works is left to stand without much in the way of counter-revision, though Gunnel points to a glaringly conspicuous omission that I also noted while editing the book.
Not one for dogma of any sort, Rollins addresses the need to “revise” Holocaust revisionism, calling himself “a skeptic regarding both the Holocaust and Holocaust revisionism.” As we might expect, he finds tons of egregious faults in James J. Martin’s revisionist appeal to libertarians, “On the Latest Crisis Provoked by Libertarians,” published in New Libertarian. Then, after flashing his revisionist credentials (Rollins published two articles in the Journal of Historical Review in the early eighties) he declares that Holocaust revisionists in general, and the IHR in particular, have been “spreading falsehood.” Rollins finds this a little ironic, charging that revisionists should be “setting the story straight,” not simply setting up another crooked tale.
Limb by limb, Rollins proceeds to hack apart respected works of nascent Holocaust revisionism: Udo Walendy’s The Methods of Re-Education, Austin J. App’s Debunking the Genocide Myth, the works of Paul Rassinier, Richard Harwood’s Did Six Million Really Die?, and selections from the Journal of Historical Review. Misquotes, mistaken identities, outright fabrications—these texts are alleged to be full with them. And, as subsequent analysis has borne out, Rollins was mostly right. Yet one wonders why, in this 1983 piece, Rollins does not attempt to revise Butz’s The Hoax of the Twentieth Century. By this time, Rollins had obviously learned which school kids could be easily kicked around.
Rollins' failure to criticize Butz's notorious text is indeed telling. However, I don't think the omission suggests pusillanimity on Rollins' part (as Gunnel gently implies) so much as it reflects the fact that Butz, no matter how loudly he is ridiculed from a safe distance (usually on credentialist grounds), is, in practice, a careful scholar. I've recently spent a good deal of time reading The Hoax of the Twentieth Century alongside the final chapters in Raul Hilberg's seminal study, The Destruction of the European Jews (which Butz cites and criticizes copiously), and I have yet to locate a single instance of misattribution or misrepresentation, the usual hallmarks of shoddy scholarship. Like any decades-old work of history, Hoax surely contains flaws (as Butz concedes), and I would certainly criticize his work on interpretive and theoretical grounds. But his dissident thesis strikes me as having been constructed and sourced in good faith. The oft-encountered claim that Butz is a meretricious pseudoscholar appears to be sustained only by tautological appeal to the consensus that he challenges, Q.E.D. Had Rollins found solid grounds to criticize Butz, I have no doubt he wouldn't pull a punch.
My only minor disappointment with Gunnel's review is that he neglects to mention Rollins' satirical writings -- most notably the updated abridgment of Lucifer's Lexicon -- which comprise a good fifth of the "Other Essays" in the Nine-Banded collection. Rollins' underground stature as a dogmacidal gadfly is favored with due appreciation, but it's the Bierceian wit that folks remember. This is the guy, after all, who defined "the libertarian movement" as a "herd of individualists stampeding toward freedom."
Holocaust: The Ignored Reality
http://www.nybooks.com/articles/22875
An Exchange
http://www.nybooks.com/articles/22980
Audio interview with Synder (17 min.):
http://www.nybooks.com/articles/22980
Posted by: Rob | August 29, 2009 at 07:05 PM
Thanks, Rob. I've been following this, too. I have my own take on Snyder's twist (which isn't really new), but I'd be interested in yours, if you find time.
Posted by: Chip Smith | August 30, 2009 at 08:27 AM
That Carlin clip was great.
Posted by: TGGP | August 30, 2009 at 01:47 PM
I'm simply awed by the scale in human lives of the Nazi ambition he proposes:
"The Hunger Plan [which would have starved 30 million people in Belarus, northern Russia, and Soviet cities] was only a prelude to Generalplan Ost, the colonization plan for the western Soviet Union, which foresaw the elimination of some 50 million people."
By the way, in case you haven't seen it, Elem Klimov's searing, hallucinatory, and eerily lyrical COME AND SEE (1985) is, by my reckoning, the non plus ultra of cinematic depictions of Nazis. In film terms, "Apocalyse Now" seems by comparison like an effete and woozy fairy tale.
Posted by: Rob | August 30, 2009 at 05:05 PM
The Snyder piece is also available in several languages at Eurozine:
http://www.eurozine.com/articles/2009-06-25-snyder-en.html
Posted by: Rob | September 03, 2009 at 02:27 PM
Thanks, Rob. I will have a few words to say about Snyder's work in the next installment of my H-Bomb series, which is primarily an introduction to Samuel Crowell.
Posted by: Chip Smith | September 03, 2009 at 03:06 PM
Rob,
If you're interested, Inconvenient History has posted response to Snyder's article. See:
http://www.inconvenienthistory.com/archive/2009/volume_1/number_2/timothy_snyder%27s_limited_vision_of_unity.php
Posted by: Chip Smith | September 03, 2009 at 11:07 PM
Took me time to read all the comments, but I enjoyed the article.
Posted by: graduate admissions essay | December 02, 2009 at 03:44 AM